This article's point of departure is Rilke's specification that the angels of his Duino Elegies are not to be equated with Christian ones, being more comparable to Islamic angels. Existing efforts to apply this notion to the Duino Elegies have focused on the phenomenological aspect of the elegiac angels, but this article argues that the rhetorical function of the angels within the cycle is key, and it demonstrates how Rilke's angels are rhetorically linked with the angels of Islam. The critical connection between the Duino Elegies and the Qur'an is that the angels in both cases are finally subordinate to the objectives of the poetic persona/poet. The article concludes by showing how Rilke's rhetorical use of his Duino angels is also continuous with the conventions of the classical German elegy. **********
